Bob Dylan Tickets-Bringing a Lifetime of Folk to StageAuthor: Andrew Good
At the height of folk music, when American youth began regarding the genre as the optimal way to express defiance against an older generation, Robert Zimmerman plugged in.
Dylan "going electric" is one of those historic cultural moments that everyone uses to define the '60s. It was the ultimate expression of an individual, someone who wasn't just willing to rebel against the mainstream, but willing to rebel against the counter-culture as well. Not everyone was happy about his parting with the softer, more peaceful sounds of folk, but Dylan had simply made the next logical choice in an artist career that was only interested in finding new, better tools for expression.
Dylan was born Robert Allen Zimmerman in Duluth, MN in 1941. He was a talented performer as a boy and as a teenager, and would go on to study art in college. He would perform in coffeehouses under his infamous stage name, borrowing Dylan Thomas' first name for his surname. In the early '60s, Dylan was quickly making a name for himself in New York's bohemian circles. In 1962, he released his debut album, The Freewheelin' Bob Dylan. When Peter, Paul and Mary covered his classic song "Blowin' in the Wind," it gave him recognition that spread like wildfire. His music's literate qualities and the winding, labyrinthine nature of his lyrics made him popular among both critics as well as fans. Today, many of his songs are considered untouchable classics from this period.
With albums like Another Side of Bob Dylan and Bringing It All Back Home, Dylan continued to evolve his sound. "Like a Rolling Stone" became a defining single for him, summing up the sense of frustration that was building among the hippie youth. People were questioning social mores and what was expected of them by their society. With all the experimenting going on, it made perfect sense that Dylan's song would reflect the prevalent soul-searching the younger generation of Americans was doing.
In 1966, Dylan released Blonde on Blonde, a double-disc album that is still considered one of his best. Later that year, however, tragedy would strike. While riding his motorcycle, Dylan would crash and suffering a concussion, as well as damaging his neck vertebrae. The accident would take a permanent toll, changing his voice as well as his personality. He became more reclusive, spending more time with his family and recording more at home.
That didn't deter him from producing great work. Always a fan of the blues and country, Dylan's music would continue to explore those genres and find new stories to tell through them. Today, Dylan is considered an elder statesman of rock 'n' roll, and has had an undeniable influence on the artists of today. They repay the inspiration he's given them through homage and respect for his work.
There are plenty of fans that still love him, as well. Bob Dylan tickets are hard to come by, and are often snapped up easily. Try http://www.stubhub.com/bob-dylan-tickets/ for your Bob Dylan experience. About the Author: This article was written by Andrew Good and sponsored by StubHub. StubHub sells Bob Dylan tickets as well as sports tickets, concert tickets, theater tickets and more to just about any event in the world.Article Source: http://www.articlesbase.com/art-and-entertainment-articles/bob-dylan-ticketsbringing-a-lifetime-of-folk-to-stage-678631.html
Barry Manilow Tickets-A Pop-Cultural Punching Bag With a Bigger House Than YoursAuthor: Andrew Good
For years now, Barry Manilow's easy listening has provided fodder for comedians looking for a fast and easy punch line. His music is mellow, pleasing adult contemporary, a genre infamous for lacking personality. But it's also immensely popular across the country, and has earned Manilow the reputation of being one of America's most successful adult contemporary artists in history.
What's often overlooked - largely because no one bothers to listen to his music before judging him - is the fact that Manilow's career proved him to be a versatile artist who was willing to explore beyond standard easy-listening pop.
Manilow was born Barry Pincus in Brooklyn in 1943. He adopted his mother's surname after his father left the family when he was only two. From an early age, he displayed a talent for music, and eventually went to the Juilliard School of Music. He scraped together a living by working on ad jingles after graduating, finally catching a break by becoming Bette Midler's pianist in the early '70s. His work with Midler earned him exposure and eventually a record deal. His 1973 debut, Barry Manilow I, was all but ignored. His follow-up, 1974's Barry Manilow II, earned him notoriety for his first smash single, "Mandy." From that day forward, Manilow would begin to establish a reputation as a writer of moving, if sometimes overly sentimental, romantic ballads. Not missing a beat, Manilow released a third record, Trying to Get the Feeling, in 1975, scoring another hit with the single "I Write the Songs."
Numerous hits would follow, and the mid- to late-'70s would become a high point in Manilow's career. His 1977 double-disc live album, Live, went to the top of the charts. Even Now, another release, was one of several that turned triple-platinum. He also released "Copacabana," a song that he's still known for to this day.
By the turn of the decade, Manilow began to fall out of favor with the general public. They seemed to be growing tired of the slightly bombastic, syrupy ballads he was known for. He began to slip in the charts, but that didn't end his career. He had his touring act to fall back on. Besides that, his loss of an adult contemporary audience freed him to pursue new directions. He began experimenting with jazzier songs in 1984's 2:00 A.M. Paradise Café. The genres of swing and jazz-pop became staples in this work during the '80s. In the '90s, Manilow turned his attention toward a stage musical based on his song "Copacabana," which was in turn based on an infamous club of the same name. The musical was highly successful, touring across America and the U.K. and bringing Manilow's music to a new generation of fans.
Though today he's largely forgotten as a leftover from the '70s pop scene, the massive number of Barry Manilow tickets that are sold each year is a testament to the popularity this artists still enjoys. Try http://www.stubhub.com/barry-manilow-tickets/ for tickets to hear "Mandy" in concert. About the Author: This article was written by Andrew Good and sponsored by StubHub. StubHub sells Barry Manilow tickets as well as sports tickets, concert tickets, theater tickets and more to just about any event in the world.Article Source: http://www.articlesbase.com/art-and-entertainment-articles/barry-manilow-ticketsa-popcultural-punching-bag-with-a-bigger-house-than-yours-678633.html
New Page 3 HTML clipboard HTML clipboard HTML clipboard HTML clipboard HTML clipboard YouTube is not so wild anymore 4:55 PM, December 10, 2008
On some bright, parched morning back in the Old West, folks must have heard grumbling as a boy nailed a list of new town laws to the wall of the saloon. And when they saw the sheriff and his fresh faced deputies looking on with a satisfied grin, that is probably when they knew the West was not going to be so wild anymore.
A similar scene has been playing out digitally at YouTube, the video town square of the internet. In addition to its long standing campaign to crack down on illegally copied material, in September the site outlawed videos depicting drug abuse and last week tightened its guidelines further to restrict profanity and sexually suggestive content. In other words, before the money wagons roll in, some law and order needs to be imposed.
The 4 year old site, long a cultural frontier, complete with virtual vice and chicanery, is growing up. Gone are the small, fuzzy video screens that made many a cat famous, replaced by screens twice as wide and even high definition capable. TV shows and feature films have arrived, and so even has the president elect, who now uploads his fireside video blogs every week.
In the last six months, we have been iterating very, very quickly, said YouTube spokesman Ricardo Reyes, adding that as the site becomes more sophisticated, the potential to boost advertising grows too. YouTube, which costs nothing to use, now boasts hundreds of millions of visitors every month, and the Google owned company has been working to translate more of that activity into profit. I think that generally people understand that we have to find a way to pay for the service, Reyes said.
Videos that YouTube considers objectionable will no longer qualify for its daily honor roll pages, where the most widely viewed clips are showcased. These browse pages often act as a kind of viral launch pad, from which many of the Webs most watched videos blast off. Exile from these areas, while not explicit censorship, cuts deeply into a videos chances to get noticed.
Reese Leysen, a member of iPower, a YouTube filmmaking group, noticed his videos were disappearing last week from the browse pages and he was not sure why. One of the groups successful tricks has been to use racy video titles and preview images to tempt potential viewers.
But a recent effort featured no worse than the leading lady of YouTube, Tanya Derveaux, in a low-cut top suitable for wearing to the grocery store. Even so, Leysen said, the video, jokingly called Hilarious Cats, quickly vanished from the most viewed area, despite having earned more views than many of the days top videos. A second iPower video was marked unsuitable for minors. This time it was Derveaux in form fitting workout clothing.
It has been YouTubes almost anything goes attitude that has made it one of the new centurys most prolific and colorful geysers of visual content. With the exception of overtly sexual or violent material, the site has until now, made no attempt to impose the kinds of taste guidelines that govern both the film and television industries.
YouTube has a new policy that highlights the tension between large and vibrant online communities and the businesses that own them. That companies are charged with making judgments about political and artistic speech can be problematic, said Lawrence Lessig, a law professor at Stanford and author of Remix, a new book that looks for a balance between art and commerce.
I think it risks a significant animosity and skepticism, said Lessig. The whole excitement about the place is that we can see what the public is watching, what the public likes, what is important.
For its part, YouTube believes that the stricter rules will boost the quality and relevance of the most visible videos by trimming away clutter and less desirable material. There is definitely this obligation we have to allow people to actually find what they are looking for, Reyes said.
Other social sites are tightening the reins on borderline content as well. Last week, the social networking service Ning, which allows users to create their own customized networks, announced it would no longer support any of the adult oriented communities that had cropped up on the site, even though the company rules had never forbidden pornographic material.
This was not an easy decision, and we did not make it on philosophical grounds, wrote Ning Chief Executive Gina Bianchini in a blog post. In this recession we have to be relentless in providing the most compelling service in the most efficient way possible.
Caterina Fake, who co founded the photo sharing site Flickr, said that governing large online communities is harder than it looks, and policy changes rarely please everyone. Any builder of social software who’s about to announce a major change knows to gird for battle first, she wrote in an email.
The best owners can do, Fake said, is to be clear and concise about the changes. I do not think you need to go into exhaustive detail with explanations, justifications and examples, because often these raise more questions than they answer, she said.
YouTubes approach to defining profanity and sexually suggestive content shows the no win aspect of elucidating such rule changes. In the case of profanity, it gives no definition at all, leading users to wonder if even one instance of cursing might imperil their video.
In explaining sexually suggestive content, the site includes a list of elements that could get a video flagged, including when the subject is depicted in a pose that is intended to sexually arouse the viewer.
Adding a layer of murkiness is just how YouTube plans to enforce such slippery rules on the thousands of videos it gets every day. The site says videos that violate its new content guidelines will be algorithmically demoted, suggesting the implausible idea that computers would be able to determine, for instance, if a video was intended to arouse, educate or make an artistic statement.
Users are not notified when their videos are penalized, and the site does not explain its rulings or even which provisions may have been violated.
It is just pretty unsettling when one of the most important socially driven sites online seems to become nontransparent about what makes it to its most important pages, said iPower Leysen.
Philip DeFranco, whose raunchy pop culture monologues have made him one of the sites most recognized faces, wrote in an email that he did not blame YouTube for trying to clean up its act, and that he will probably start bleeping the curse words in his videos so he does not lose exposure. You have to change with the times, or get crushed against the tide, he said.
by David Sarno
copy write: The LA Times December 11, 2008 used by permission
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